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where the Knight image represents the Gazelle, and the Knighted pieces the Razorbill and Basilica.
How naive my 2004 judgment must appear! How did I fail to notice how far in the Archers were - the King's-side one too near the King for Castling to be as good as thought that it waa at a time? I have to agree with a later criticism of 'knighting' a Bishop with a piece that alhas a diagonal move anyway. In fact the form of Knight enhancement used here is a bit of a mess anyway, as it detracts from the FIDE (and Carrera and Bird and so on) pattern of one basic piece being unafected by square colour, one colourbound, and one colourswitching. Even the Endknight of my Nearlydouble Chess, which does retain colourswitching, would have a corresponding problem in a knighted Rook.
Neither of these problems are unsurmountable. As regards the first, the Archers could be swapped with the next piece out to put them exactly the same distance from the King that FIDE Chess puts Rooks. It will actually have the bonus of an array with all Pawns unprotected (unless I've missed something, the Guards' Pawns are unprotected in the current array). As regards the second, I would suggest enhancing the Knight by adding the Zebra to give a Gazelle. At one time I suggested names for Rook+Gazelle and Bishop+Gazelle - Razorbill and Basilica - and while I dropped these as obscure one-offs I could reintroduce them to Man and Beast if the pieces appear in a variant.
In Cavalry Chess (Frank Maus, 1921) the Knight is replaced by a Knight-Camel-Zebra compound. Maus attempts to balance this piece by using a much stronger king, but does not succeed, according to Fergus Duniho's essay on the same page.
Gast's Chess has an ordinary King (with more castling options) facing Knight-Camel-Alfil compounds, plus Archers and Guards. That gives your opponent six pieces that can checkmate by capturing your undefended j-file Pawn.

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